Marxist reading of the great gatsby
Critical Theory Today: A User-Friendly Guide by Lois TysonCritical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness.
This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgeralds The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
A Marxist Look at The Great Gatsby, by F. Scott Fitzgerald Essay
A Marxist approach to The Great Gatsby might be concerned with the representations of social class, and the ways in which power and wealth are attained and retained by the characters. Looking at the novel as a whole, it is seen to depict mostly the very wealthy members of society, who do not work and spend much of their time at leisure. There are some minor characters who are less wealthy, and a smaller number of servants and workers who are glimpsed working in the novel. Tom and Daisy never work, and Tom is said to be extraordinarily rich. Nick is one of the less wealthy characters, and works in the stock exchange, but is still financially secure as his family is economically stable enough to support him in his work.
The characters, the setting, and the plot are very deeply submerged in a Capitalism that ends up destroying many of them.
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