Waste allocation load lifter earth class

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waste allocation load lifter earth class

The Art of WALL•E by Tim Hauser

Pixar Animation Studios, the innovators behind Toy Story, Finding Nemo, and Ratatouille, created its latest genre-defying film with an intriguing and unorthodox question in mind: What if mankind had to leave Earth, and somebody forgot to turn off the last robot? WALL•E (Waste Allocation Load Lifter – Earth Class) is this last, soulful robot. When his lonely work is interrupted by the arrival of the sleek probe-droid EVE, a rollicking adventure across the galaxy ensues.

The Art of WALL•E features the myriad pieces of concept art on which this fantastic, futuristic film was built, including storyboards, full-color pastels, digital and pencil sketches, character studies, color scripts, and more. Astute text—featuring quotes from the director, artists, animators, and production team—unearths the filmmakers’ historical inspirations and recounts the creative process in intimate detail. This richly illustrated portal into the artistic spirit of Pixar reveals a studio confidently pushing the limits of animation.
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Published 06.08.2019

Wall-E (Trailer) -2008

Waste Allocation Load Lifter - Earth Class, Disposal

Running time: 1 hour 37 minutes. This film is rated G. If you go to a theatre this summer you'll find that everyone has become a superhero. What happened to all the regular folks and the everyday struggle of the human condition? Film-making is about the fantastic and the imaginative possibilities.

What if mankind had to leave Earth and somebody forgot to turn the last robot off?
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It follows a solitary trash compactor robot on a future, uninhabitable , deserted Earth, left to clean up garbage. However, he is visited by a probe sent by the starship Axiom , a robot called EVE, with whom he falls in love and pursues across the galaxy. After directing Finding Nemo , Stanton felt Pixar had created believable simulations of underwater physics and was willing to direct a film set largely in space. WALL-E has minimal dialogue in its early sequences; many of the characters do not have voices, but instead communicate with body language and robotic sounds designed by Burtt. The film criticizes consumerism , corporatism , nostalgia , waste management , human environmental impact and concerns , obesity , and global catastrophic risk. It is considered by many fans and critics as the best film of

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  1. Generoso H. says:

    WALL•A | Pixar Wiki | FANDOM powered by Wikia

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