Biography of georgia o keeffe
Portrait of an Artist: A Biography of Georgia OKeeffe by Laurie LisleGeorgia OKeeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary--sensuous flowers, bleached bones against red sky and earth--had a stunning, profound, and lasting influence on American art.
OKeeffes personal mystique is as intriguing and enduring as her bold, brilliant canvases. Here is the first full account of her exceptional life-- from her girlhood and early days as a controversial art teacher, to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz, to her seclusion in the New Mexico desert, where she lived until her death.
And here is the story of a great romance between the extraordinary painter and her much older mentor, lover, and husband, Alfred Stieglitz. Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia OKeeffe is a twentieth-century legend who career spanned the history modern art in America.
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She was best known for her paintings of enlarged flowers , New York skyscrapers , and New Mexico landscapes. O'Keeffe has been recognized as the "Mother of American modernism ". In , O'Keeffe began her serious formal art training at the School of the Art Institute of Chicago and then the Art Students League of New York , but she felt constrained by her lessons that focused on recreating or copying what was in nature. In , unable to fund further education, she worked for two years as a commercial illustrator, and then taught in Virginia, Texas, and South Carolina between and During that time, she studied art during the summers between and and was introduced to the principles and philosophies of Arthur Wesley Dow , who created works of art based upon personal style, design, and interpretation of subjects, rather than trying to copy or represent them. This caused a major change in the way she felt about and approached art, as seen in the beginning stages of her watercolors from her studies at the University of Virginia and more dramatically in the charcoal drawings that she produced in that led to total abstraction.
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Georgia O'Keefe Interview
The results of this search are broadly known. She really was best at the very small or the very large—flowers blown up enough to be almost unrecognizable, or the sheer vastness of the land that spoke to her. The infamous floral works, though present, do not dominate. He was impressed. He thought that she was the first truly American artist, and perhaps he was right. I ,
For several decades Georgia O'Keeffe was a major figure in American art who, remarkably, maintained her independence from shifting artistic trends. She painted prolifically, and almost exclusively, the flowers, animal bones, and landscapes around her studios in Lake George, New York, and New Mexico, and these subjects became her signature images. She remained true to her own unique artistic vision and created a highly individual style of painting, which synthesized the formal language of modern European abstraction and the subjects of traditional American pictorialism. Her vision, which evolves during the first twenty years of her career, continued to inform her later work and was based on finding the essential, abstract forms in the subjects she painted. With exceptionally keen powers of observation and great finesse with a paintbrush, she recorded subtle nuances of color, shape, and light. Subjects such as landscapes, flowers, and bones were explored in series, or more accurately, in a series of series. Generally, she tested the pictorial possibilities of each subject in a sequence of three or four pictures produced in succession during a single year.